A collaborative blog about making the things we make!

Showing posts with label phenomenon. Show all posts
Showing posts with label phenomenon. Show all posts

Sunday, March 11, 2012

Thoughts About Light




Throughout my travels, I have often looked out at the landscape before me and thought "this is bigger than me". It is as though I understand that I cannot grasp it, so I do not attempt to. I take it with me to think about and try to intellectualize it at a later time. I have never been to a place where the entire landscape, stretching over the entire time I was there, has made me feel the same way. For me, Antarctica represented everything I have tried to understand about light, reflection, contemplation, and phenomenon.


Coming home is an important time for me. I am aware of the Familiar, a topic that is so important to my philosophy. There is about a two week period of time where I seem to be in two different worlds; the one I have just seen travelling, and the one that I have returned to. In the present I am experiencing my Home, my city streets, the return to the routine. In my memory, I am cycling a slide show of experiences I have just had out in the world.

This dichotomy yields inspiration. 








I am working on the back of the sink. The pleasure of painting something that is white is that there is barely a time when it is purely white. I find myself thinking of the time and place the photograph was taken to give me a hint of the time of day, and the quality of light.




Jack Chambers is a Canadian painter who lived and worked in London, Ontario for the breadth of his career. Sunday Morning No. 2 is a typical suburban winter scene. As a fellow Ontario native, I cannot help but participate in the Familiar which makes me question whether my draw into the painting is fueled by this sensation and/or the other qualities it embodies. I am not sure that it matters. Understanding the power of Familiar is lesson enough!

Chambers was intrigued by light. You can see this curiosity was a prominent aspect in much of is work, whether graphite drawings, paintings or photographs. He said that spirituality is not found in the representation of light - in the fact that it exists, but in the feeling it gives you.

When I look at the left wall and the light shadow cast through the window, I feel that the moment is alive. I appreciate that feeling as a powerful thing.